Real Artists Quotes
The best sayings about Real Artists that you can share on Instagram, Pinterest, Facebook and other social networks!
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I think Damien Hirst is hilarious. And I think he's a true artist. He's not hilarious first; I think he is a real artist, and I also think he's got an amazing sense of humor.
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Yet a real artist, I've noticed, will survive anything. (Even praise, I happily suspect.)
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I would say that for the younger musicians, technical proficiency is necessary and a given these days. But the study and the way you function in society, your beliefs and the way you live, that is where you will find a real musician, a real artist.
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Real artists take the misery and sadness of life and translate it into art.
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I think that fame only goes to your head if you are not a real artist. If you are a real artist and a good person who loves what they are doing, you are going to be the same person.
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God is really only another artist. He invented the giraffe, the elephant and the cat. He has no real style, He just goes on trying other things.
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A real artist is the one who has learned to recognize and to render... the 'radiance' of all things as an epiphany or showing forth of the truth.
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In every human being there is the artist, and whatever his activity, he has an equal chance with any to express the result of his growth and his contact with life. I don't believe any real artist cares whether what he does is 'art' or not. Who, after all, knows what art is?
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The art of invective resembles the art of boxing. Very few fights are won with the straight left. It is too obvious, and it can betoo easily countered. The best punches, like the best pieces of invective in this style, are either short-arm jabs, unexpectedly rapid and deadly; or else one-two blows, where you prepare your opponent with the first hit, and then, as his face comes forward, connect with your other fist: one, two. Both are effective; but they can be administered only by a real artist, with a real wish to knock his enemy out.
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Art is a vocation, as much as anything in this world. For the real artist, it is the most natural thing in the world, not as necessary as air and water, perhaps, but as food and water. But we really do lead almost a monastic life, you know; to follow it you very often have to give up something.
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I was working with real artists [in the Rum Diary], and that's difficult to do and very rare, in this industry, ironically.
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I like kids' work more than work by real artists any day.
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Being a cover artist is not like being a real artist. That's just copying what someone else did.
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One of the things that makes Wittgenstein a real artist to me is that he realized that no conclusion could be more horrible than solipsism.
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The real artist has no pride. Unfortunately he sees that his art has no limits. He feels obscurely how far he is from the goal. While he is perhaps being admired by others, he mourns the fact that he has not yet reached the point to which his better genius, like a distant sun, ever beckons to him.
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The real artist while he paints does not think of the sale, only of the need to make a beautiful living thing.
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Any magazine-cover hack can splash paint around wildly and call it a nightmare, or a witches sabbath or a portrait of the devil; but only a great painter can make such a thing really scare or ring true. That's because only a real artist knows the anatomy of the terrible, or the physiology of fear.
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The real artist is striving to depict his subject's character and to stress the caricature, but at least it is art which is alive.
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That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
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Everything you can imagine is real.
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As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn't have a day job.
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I feel like I am a real artist and I want to be able to feel what I am singing about. So when I sing, 'Leave (Get Out),' I have been through that. I think it is just a new generation, whether people are ready for it or not. Teenagers are dating.
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Unlearning is the choice, conscious or unconscious, of any real artist. And it is the true sign of maturity.
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The artist is a strange being. I think it's safe to say that a real artist is conscious of having a personal singularity that is partly a blessing and partly a curse. An artist enjoys and suffers from isolation. As solitude, isolation can nurture. It can also destroy.
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Why is it every other person you meet says they're an artist? A real artist doesn't need to gas on about it, he doesn't have time. He does his work and sweats it out in silence, and no one can help him at all.
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Many of us believe that 'real artists' do not experience self-doubt. In truth, artists are people who have learned to live with doubt and do the work anyway.
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Real artists, it seems to me, are those who don't repeat themselves.
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I want to be a real artist to consumers. I want to be the real thing for them.
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There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
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To the real artist in humanity, what are called bad manners are often the most picturesque and significant of all.
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