Solo Quotes
The best sayings about Solo that you can share on Instagram, Pinterest, Facebook and other social networks!
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When I did my first solo show and it made my dad uncomfortable, I wasn't quite ready for my spotlight moment in my life yet. I didn't have enough sense of myself and self-esteem and confidence: this is when I started looking to get my master's in something.
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My favorite puzzle is trying to work out the parts myself, after all it is a solo effort.
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I remember thinking that the rest of my life would be solo. I wasn’t weepy when I thought that - it was just a realization that I had gone this long being self-sufficient.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
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Working on solo material is something I had always dreamed of doing, and I'm incredibly happy with the results. 'Everything To Me' is a very personal song to me lyrically; it is such an upbeat and optimistic record, perfect for the summer. I can't wait for people to hear it!
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I'm the 1st black platinum artist in Detroit, solo artist in Detroit.
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Before I joined Kraftwerk in 1971, I played guitar in a band called Spirits of Sound, whose members included (at times) amongst others singer Wolfgang Riechmann (Sky Records released his only solo album Wunderbar shortly after his death in 1978) and drummer Wolfgang Flür (later on Kraftwerk, now solo). The music of S.o.S. in the mid 60's first was the English pop and rock music of the times (Beatles, Kinks, Rolling Stones ).
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A wonderful, warm, positive individual who exhibits the values that are prerequisite to a significant faculty post in higher education, I think that it is an absolutely extraordinary and bold career move that Darwin has made in leaving the Orchestra and embarking on the trajectory of a solo performer/educator. And what a marvelous thing it is for Detroit to be able to welcome home a successful native son - one in whom the community can take pride, and one who will serve as an inspiration to a younger generation of aspiring performers eager to make their mark in the world.
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There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
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Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
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I went solo because I could do much better what I wanted to do. I didn't have to ask or discuss things and ideas that are already shaped in my head.
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I did a lot of writing for a lot of different kinds of bands that I was in and out of during those five years and that left me with a little body of songs that I liked better when I played alone, so I ended up going out solo and very soon made my first album.
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I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.
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I wanted to break the record, of course, and become the youngest person to sail around the world solo and unassisted.
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[After playing Indiana Jones and Han Solo] hero image concerns me a little, though not for my sake. All it means to me is that I have a responsibility not to get caught doing anything terrible and thereby jeopardise my credentials. Not that I do terrible things, like running over dogs or anything like that. It just makes you think twice before you say or do things in public.
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Any guitar solo should reflect the music that it's soloing over and not just be existing in its own sort of little world.
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Sometimes it's the mistakes that end up leading you into new territory .. like the guitar solo on 'Peelin' Taters' - I had some speaker problems, but the tone ended up sounding better than if I had new speakers .. it's a 60's Nashville, 'uptown' thing
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Learn to play the piano, man, and then you can figure out crazy solos of your own.
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When you make a solo record, it's you. It's your name. It has to be the right songs for how you feel. It just took me a really long time to get to a place where I felt comfortable with the material and the recording.
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With the '60s era and Motown, my grandparents actually introduced us to that when I was younger, so I grew up listening to the Jackson Five, Aretha Franklin, The Temptations, The Supremes and Diana Ross' solo stuff. I just loved it.
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I would urge a young player to listen to Charlie Christians' sense of time ... I'll never forget listening to my father (Bucky Pizzarelli) and Tal Farlow playing Christians' 'Solo Flight' backstage at a gig... that's when it hit me how big of an effect Christian had on jazz guitar. 'Solo Flight' was like the gospel.
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My solo albums will be instrumental, but I would be open to working with a vocalist if the right project came along.
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My father was a racing driver, his name is Don Halliday. I grew up with it all around me. I have always been into fast, dangerous sports, even as a child. As soon as I got in a car I knew it was for me and that I would enjoy racing and competing. My mother was also involved in Solo One. She always said I was like my father and would want to compete one day.
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You know, I always root for the older athlete. I root for the second album. I root for solo careers after the rock star breaks the band apart.
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I was not ever hitchhiking alone. I've done solo train trips but I've never driven myself alone.
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A lot of the other things in my life like making music, you know that's a very collaborative thing so I work on comics because it's not something that's a solo activity.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.
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I've never had any big ideas about being the solo.
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I don't have to ask anyone's permission to do anything. It's nice not have to get decisions out of three, sometimes four people, which can be like pulling teeth. So the amount of control that I have over what I'm doing is better for me as a solo artist.
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