Patricia Mauceri Quotes
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I got the bad press and the blogging and the email threats because people really didn't understand. They thought I was anti-gay. That's not true at all. My spiritual mom has a gay son. Even he was telling his friends "No, that's not true. She's so accepting of me." That doesn't mean I accept his lifestyle. It means I accept him as a human person and as a creation of God and a person of value.
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Actors are always the pawns. They're the last ones in the food chain.
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I feel like God has moved me into a different way of doing things. I teach basic on-camera acting class called Acting 101...In my classroom, the students get every ounce of encouragement and craft and anything I'm able to give them.We have some rules. We don't take the name of The Lord in vain. We don't use foul language when we mess up on camera...There's a climate of safety...They feel very protected.
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If I could look back at the seeds of faith, they were planted back then. I remember in my early teenage years - when, naturally, we become more rebellious, prideful, self-directed and self-willed - I had this nun, Sister Mary Martinella, I'll never forget her - only because of one thing that she said that stuck in my spirit. And it was a rebuke.
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I started my career off replacing Rita Moreno in a Broadway show.
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I gave my heart to Jesus. I accepted him as my Lord and Savior, started reading the Bible, started going to a church (and) started a relationship with Jesus.
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It's very hard to find good and wholesome, edifying and challenging writing for the students to perform. In my classroom I strive to do that as best as I can.
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The experience I had all those 40 years of working on Broadway and working on television, I bring it to students and I let them kind of drain me dry but they all feel at the end of the class that they are getting so much out of it. The students grow in my classroom because they feel safe. They don't feel like they're going to be yelled at.
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I got on the TV show at 40 and that is something very rare. So, I know that God gave me that role (on) One Life to Live - the role of Carlotta, the role of a mom.
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I had a very marginal understanding of what faith in God was growing up because, although I went to a Catholic school, without having parents who really were actively involved in faith there was no reinforcement of it. So, as a result of that I guess I just kind of thought that God was somebody that you put in a box and you put Him on a shelf and you called on him when you had crises.
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When my marriage fell apart I started reevaluating my life and I started to call on the Lord.
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I was doing big roles and, yeah, everything was going great. In the midst of all that, I guess I had already become common in the sense that I became formed into what the world wanted me to be. My desires and my goals were (identified) by the world - the things that would make me (successful) in the sight of the world and would give me a status that I thought was security.
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In grammar school, I went to eight o'clock mass pretty much like four days a week.
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You get typecast. You have to find a niche in this business. So, the roles that I got cast in were the Latina or the Italian spitfires. The woman with a passion and the woman who didn't want to listen to anyone, did everything her own way, very self-willed.
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Broke up created a crisis...in every circumstance because a family gets blown apart. We all know what that does to a child. We all know what that does to a woman's identity. But, at the same time, it caused me to start to reevaluate all those things weren't able to stay intact - all the people's attention, all the success, the financial security. It didn't have any value.
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God sent me a woman who was an older woman - who wasn't much older than me but she was older in the sense (of her relationship with) the Lord...She started guiding me. She was very much a model for my life.
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I had known David Ham and Marco Santiago from having met and worked with them on The Cross and the Switchblade which we worked on together at Times Square Church. We joined together as Trace Life Media to be a directing/producing team to be able to assist churches in the production of a play in their own community or to bring a fully-produced productions - something that will be ministering to the Body of Christ.
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As I got older, the role that I ended up (playing) on One Life to Live was a mother because, by then, I had a stable marriage - so I thought - and a beautiful son and mother roles became what I was doing well. I was still the Latina mom who very much related to people who love family. All those traditional values (were) coming back into my life.
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We realized that there's a great need in many churches to use the power of the media...There are a lot of different ways to preach. You can preach by praising. You can preach by preaching sermons. You can preach by just giving someone food when they're hungry. There are people who will never darken a church door but they will come to see a play.
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When you hit the things that are relevant to the next generation, - it's a way for young people to feel like "Somebody understands me. Church is not irrelevant. I feel that my hurts are being addressed. Things that I am concerned about are being talked about."
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John McTiernan Filmmaker