Commercial Music Quotes
The best sayings about Commercial Music that you can share on Instagram, Pinterest, Facebook and other social networks!
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The commercial music video industry is very hard to break into, and until you break in, that first job is the hardest thing in the world to get.
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Commercial music is music that a lot of people connect to at the same time, but that doesn't mean it has to be something shallow or without personality.
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Commercial music, for the most part, is popular music and you always have to keep that in mind.
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I'm not quite sure. Probably because "Hanky Panky" and "I Think We're Alone Now" had more to do with it than anything else. For some reason, staccato eighth notes on a bass sounded like bubblegum. Basically, groups like the 1910 Fruitgum Co. took my early format and kind of perverted it, and made these mindless pre-fab hits over and over. In the 60s, anybody who was making commercial music, that is music that didn't have a political slant to it, or wasn't taking drugs, was bubblegum. And that term kind of hung on a lot of people back then, and it's unfortunate.
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I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.
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The commercial music world which I had been a part of for so many years lost its sparkle. My focus became the creation of music which would slow down the brainwaves, so inducing a state similar to when we mediate.
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I love commercial music! I can dissect it and criticize it with any critic in the business. But without any thought, I just enjoy it. It's folk music. That's what I'm doing, folk music. I'm not intellectualizing it . . . and making it into a phoney art form. I'm just doing the music I enjoy.
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At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.
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Work in nightclubs was interesting. There were interesting people and places, but by and large, the commercial music experience.
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The joy of music should never be interrupted by a commercial.
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Pressure is high and jobs are at stake. There is nothing wrong with having commercial music to pitch for those situations, as well as for ad campaigns.
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I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
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I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.
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Top Authors
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Rodrigo Santoro Actor -
Romany Malco Actor -
Roger K. Lewis Architect -
Ronald Anthony Cross Author
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Ron Smothermon Author -
Ronald Dunn Author -
Rodrigue Tremblay Economist -
Roland G. Fryer, Jr. Economist -
Robert Zemeckis Film director -
Roy Ash Former Director of the Office of Management and Budget -
Ruhollah Khomeini Former Supreme Leader of Iran -
Roselee Goldberg Historian -
Roger Cotes Mathematician -
Ron Pope Musical Artist -
Ron Delany Olympic athlete -
Roger McGough Poet -
Ron Rash Poet -
Robin Standefer Production Designer
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Ronn Torossian Public Relations Executive -
Robin Zander Singer -
Roy Acuff Singer -
Ronald Koeman Soccer player -
Roger Sherman United States Representative -
Roy Blunt United States Senator -
Robin Atkin Downes Voice actor -
Rosemary Wells Writer
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