Couture Quotes
The best sayings about Couture that you can share on Instagram, Pinterest, Facebook and other social networks!
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I've never tried to do couture, because it's a whole different beast.
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I have a very haute couture way of working.
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I do not believe there has ever been a name as important as Pierre Cardin in the general history of couture.
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The couture is what a certain kind of clientele wears. But it's amusing to do because you do it piece by piece. It's another concept. It's much more work.
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Fashion fades, only style remains the same.
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On 9/11, that morning, I was in a Christian Dior Couture appointment at the Hotel Pierre.
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[Riccardo Tisci ] has an interesting approach to weaving the contemporary with the couture, and blending tribes and collections. It always seems to work.
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These five years as a couturier have really changed my way of seeing fashion and my confidence with fashion. Couture is a dream.
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Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.
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I was wearing like, a Juicy Couture men's polo shirt. We weren't there, like, ready for war.
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In the beginning, to be honest I was super-scared. I turned up and took a step back and said, 'I am here to learn,' and I feel the same today. I've got only to learn from these people because they have been doing couture for 30 or 40 years, so I keep learning every season.
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Couture gowns are like gremlins; you can't expose them to bright light or get them wet.
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My own show with Sterling Ruby, for example, seems like such a huge disconnection from Dior couture, but then I think, yeah, in both collections there was a very strong focus on the human hand and the actual work of people making garments. So in that sense, they were completely related. But I didn't realize that during the process.
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I don't really buy designer stuff. I have a few nice things, but I don't really have the occasion to wear couture too often.
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When I was young, especially when I was at school, I thought couture was about big gowns, big hats (that is couture as well, of course) - but my couture is about going near the clothes and having a look at the details. I like people to have a shock in a chic way.
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I love and admire everyone who is different. I love that. The 'jet set' is banal. 'Good taste' is banal. Eccentricity is chic. Good taste paralyzes. But punk or street fashion or a tattoo-covered body, that is interesting to me, and that I love. I didn't go to fashion school. I learned from watching couture shows on TV and reading magazines. That made me dream.
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In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special.
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I saw a lot of haute couture all my childhood, and without knowing it I've learned from when I was a child to recognise beautiful fabrics.
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My work is a fusion of personal experiences and influences - moody atmospheres, victorian-inspired couture, and timeless elements all laced with clandestine symbolism. The figures I paint exist in their own esoteric realm and time, and each painting offers a glimpse into their anomalous world.
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I even do my ready-to-wear samples like couture.
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I love the 2000s because everyone started to love haute couture.
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I call the language of political figures, pundits and administrators "the haute couture of language."
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I really love Juicy Couture - it's young and fresh.
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With Dior Haute Couture, the dream is already there.
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Fashion is in the sky, in the street.
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Daphne Guinness, who makes couture seem wearable, is an icon who influences what I wear.
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The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.
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Today couture has to be expensive, but it shouldn’t look expensive.
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Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions.
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For me, haute couture is a necessity. I never would have done this job were it not for haute couture. It is a comfort, a security. I almost feel it is our duty to continue. Haute couture is France. We have to keep all the skills and craftmanship alive.
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Top Authors
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Om Puri Actor -
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Orel Hershiser Baseball player -
Pat McQuaid Cyclist -
Pat Morita Film actor -
Patrick McCabe Film writer -
Olof Palme Former Prime Minister of Sweden -
Omar Bongo Gabonese Politician -
Page Smith Historian -
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Patrick Sky Musician -
Patricia Duncker Novelist -
Paul Bourget Novelist -
Paul Broca Physician -
Osonye Tess Onwueme Playwright -
Patience Strong Poet
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Parnelli Jones Racing driver -
Paavo Nurmi Runner -
Pam Oliver Sportscaster -
Pam Shriver Tennis player -
Paul Boutin Writer
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P. C. Hodgell Writer
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