Emma Quotes
The best sayings about Emma that you can share on Instagram, Pinterest, Facebook and other social networks!
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Maybe it’s not, in the end, the virtues of others that so wrenches our hearts as it is the sense of almost unbearably poignant recognition when we see them at their most base, in their sorrow and gluttony and foolishness. You need the virtues, too—some sort of virtues—but we don’t care about Emma Bovary or Anna Karenina or Raskolnikov because they’re good. We care about them because they’re not admirable, because they’re us, and because great writers have forgiven them for it.
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I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
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To Beatrice- My love flew like a butterfly Until death swooped down like a bat As the poet Emma Montana McElroy said: 'That's the end of that.
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I enjoyed meeting Emma [Watson]. I have a soft spot in my heart for child actors growing up. I know how hard that is. Having gone through that experience myself, I have a lot of sensitivity to it. For lack of a better word, I just feel like I love these kids, and I want them all to grow up and love themselves, and not get caught up in the wrong things, and to learn all the different things this profession has to give, and to understand it.
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It's interesting to work with Emma [Watson] so quickly after Harry Potter. When we shot this movie, it wasn't that long after Harry Potter was finished, and it's knowing that's a big transition in her life. She's a very talented young woman.
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Do you miss her?' 'Who? Emma? Of course. Every day. She was my best friend.
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Emma dropped the paper. Her first impression was of a weak feeling in her stomach and in her knees; then of blind guilt, of unreality, of coldness, of fear; then she wished that it were already the next day. Immediately afterwards she realized that that wish was futile because the death of her father was the only thing that had happened in the world, and it would go on happening endlessly.
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I just think that you have to believe in yourself and you have to work very hard. You can't ever think that you're the best thing since sliced bread because I promise you, there are going to be Viola Davises and Jessica Chastains and Emma Stones who are the best thing since sliced bread. So take it seriously, but don't take it too seriously.
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With you i found myself. You are the one i was waiting for, when i didn't even realize i was waiting. -dr. Emma Sinclair-
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Members of the media, Jim Acosta of CNN and Glenn Thrush, formerly Politico, now the New York Times, and all of them actually think the Statue of Liberty is the symbol of immigration. And they believe the Emma Lazarus poem that is on the pedestal is the equivalent of immigration policy in the United States. They're not the only ones.
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I cannot make speeches, Emma...If I loved you less, I might be able to talk about it more. But you know what I am. You hear nothing but truth from me. I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.
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He could feel her laughter against his chest, and at that moment he thought that there was no better feeling than making Emma Morley laugh.
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Human nature is so well disposed towards those who are in interesting situations, that a young person, who either marries or dies, is sure of being kindly spoken of.
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If screenwriters have to kill off a female character, they love to give her cancer. We've seen so many great actresses go down to the Big C: Ali MacGraw, Meryl Streep, Emma Thompson, Debra Winger, Susan Sarandon.
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I'm in a big dilemma about my Big-Leg Emma.
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The funny thing is, the girls that I'm always up against for roles are pretty nice and cool, like Emma Watson. She's awesome.
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It's interesting to get older and realize that part of your job growing up in this profession is to help the next generation. More and more, with Boyhood and with Ellar Coltrane and with Emma [Watson], I start to see that role. There's no better way. Nobody wants advice, so you can't really give it. You just have to try to wish them well on their journey.
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Emma Rothschild's magnificently researched and lucidly written book reveals the many connections and layers of empire without in any way undermining the less edifying aspects of empire.
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And you can't complain about kissing Emma Watson. Isn't that what everyone in the world wants to do? I've known Emma for a few years. She's this amazing capacity of young and vibrant and brilliant, but also a bright, intelligent old soul.
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On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
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I'll tell you a little fun fact about the film, though. Me, the little boy playing Chip, Emma Thompson, and Emma Watson, all have the same birthday. We were all in on the same day and they all sang us "Happy Birthday." That will never happen in my life again: Four of us having the same birthday on the same film, and we're all in on the same day. It was an extraordinary thing.
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Emma is a mattress who got thrown off the truck when her parents split up. It's not like you can blame a mattress when people don't tie it down tight enough.
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…and Emma felt another small portion of her soul fall away.
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I miss you Emma." I'm not sure, but it looks like her eyes tear up. "I was fine for months without you," she says, the words hushed and forlorn. "Why does it hurt now?" I'm sighing and shoving a hand through my hair, which I know from experience leaves strands of it stabbing out in numerous directions, defiant and crazy-looking. Maybe crazy is exactly how I feel. "Because now we have hope of something more.
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And sometimes then he sat with us for an hour or so, sharing our limbo, listening while I read. Books from any shelf, opened at any page, in which I would start and finish anywhere, mid-sentence sometimes. Wuthering Heights ran into Emma, which gave way to The Eustace Diamonds, which faded into Hard Times, which ceded to The Woman in White. Fragments. It didn't matter. Art, its completeness, its formedness, its finishedness, had no power to console. Words, on the other hand, were a lifeline.
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I have a lot of respect and admiration for someone like Cate Blanchett, find Emma Thompson wonderful, Meryl Streep inspiring, Juliette Binoche full of light and Catherine Deneuve incredible.
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I really want to work with Emma Stone; she is adorable.
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Gustave Flaubert said, "Emma Bovary, c'est moi." It is not possible to write something you are not, but to have a new form, with a different hair color and a new body ... I do very little of that. That's why I keep bringing up the same people. I haven't given myself a hard time about it. But I can't make six new characters instead of one.
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If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.
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I'm not in the gossips that much, but something I read recently was that me and Emma Watson are having a feud. And I've never even met her.
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