Portraits Quotes
The best sayings about Portraits that you can share on Instagram, Pinterest, Facebook and other social networks!
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What a conception of art must those theorists have who exclude portraits from the proper province of the fine arts! It is exactly as if we denied that to be poetry in which the poet celebrates the woman he really loves. Portraiture is the basis and the touchstone of historic painting.
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Don’t try to capture a man in one synthetic portrait, but rather in lots of snapshots taken at different times and in different circumstances.
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In making portraits, I refuse to photograph myself as do so many photographers. My style is the style of the people I photograph.
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One of the things I learned on the street was to trust life and to keep hands off of it, and that feeling continues in the rest of the works that I do, the portrait, the landscapes, or any interest that I have. Things are good enough as they are, there's no reason to tamper with them.
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When I did my self-portrait, I left all the pimples out because you always should. Pimples are a temporary condition and they don't have anything to do with what you really look like. Always omit the blemishes-they're not part of the good picture you want.
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You don't change the course of history by turning the faces of portraits to the wall.
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A philosophy professor at my college, whose baby became enamored of the portrait of David Hume on a Penguin paperback, had the cover laminated in plastic so her daughter could cut her teeth on the great thinker.
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The people have to know what my portraits are like in order to behave in such a way that the result is one of my portraits.
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I believe that street photography is central to the issue of photography—that it is purely photographic, whereas the other genres, such as landscape and portrait photography, are a little more applied, more mixed in the with the history of painting and other art forms.
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At first, I thought 'this series is going to be all about death and desecration,' but instead became a more complex landscape of human relationships. I hope I put something of these feelings into the portraits that I made of the characters, which were landscapes in themselves. An irony in the subject of crystal meth is how beautifully it resembles the desert sky.
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That wand’s more trouble than it’s worth,” said Harry. “And quite honestly,” he turned away from the painted portraits, thinking now only of the four-poster bed lying waiting for him in Gryffindor Tower, and wondering whether Kreacher might bring him a sandwich there, “I’ve had enough trouble for a lifetime.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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I was hoping to do an impressionist painting, but I wanted a good likeness and I wanted to create a feeling of the lady as a person, as a human being rather than as a figurehead for the monarchy and a pomp-and-circumstance sort of formal portrait. I wanted more of a relaxed portrait.
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The facts of the present won't sit still for a portrait. They are constantly vibrating, full of clutter and confusion.
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Our statute is a currency which we stamp with our own portrait.
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Bruheem kol dumuyay eloha! Blessed are all God's self-portraits.
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The humor for me is how far above your head the signature is - it's dislocated from the sign of the artist in such a distinct way that it could almost be a self-portrait of a sort.
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Let's say Twitter existed during the Civil War. We would have a better understanding of people in the Confederacy who were against slavery, people in the North who actually felt we should just let the South be the South. Because the way it is now, it seems like we have this portrait where everybody in Georgia hated Yankees and everybody in the North was enlightened. That wouldn't seem as clear cut as it does now.
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I collect old portraits. They're all just interesting pictures of people, and you just kind of wonder who they were and what they were. There's a guy - I don't know who he is, but he's wearing a suit. He's got his arms folded, and he looks like he sold insurance or something. I'm just wondering why someone painted him.
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What I do feel is that 'Up in the Air' is the most indicative film of 2009. It is the portrait of 2009.
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Among the things she said: "Women seem to possess all the natural gifts essential to a good portraitist ... such as personality, patience and intuition. The sitter ought to be the predominating factor in a successful portrait. Men portraitist are apt to forget this; they are inclined to lose the sitter in a maze of technique luxuriating in the cleverness and beauty of their own medium."
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My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
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I used to paint and I used to draw, and I probably would have loved to have been a portrait painter if I'd been good enough, but I really wasn't good enough.
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You shouldn't need 60 full minutes to create a portrait that an audience doesn't forget. You should be able to make an impression that's lasting and resonant with one scene.
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I'm not exactly sure how old the girls are [in Bink & Gollie], but I can pretty much guarantee that their parents will never show up. That would mess up the fun. I do, however, very much like Kate's idea of having Tony [Fucile] draw their portraits.
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Geography is crucial for my work. I went to Antarctica and took a studio to several of the main ice fields to make field recordings of ice to create a symphony - acoustic portraits of ice.
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I do not care about my own appearance, but I would hope that people could see into my soul, and that is presented better in these photographs than in others. (On his self-portraits)
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My movies are film-paintings - moving portraits captured on celluloid. I'll layer that with sound to create a unique mood -- like if the Mona Lisa opened her mouth, and there would be a wind, and she'd turn back and smile. It would be strange and beautiful.
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Jarecki's 'Reagan' is a compellingly watchable and appropriately conflicted portrait...artfully nuanced and intellectually curious.
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To sit for one's portrait is like being present at one's own creation.
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