Post Production Quotes

On this page you will find all the quotes on the topic "Post Production". There are currently 34 quotes in our collection about Post Production. Discover the TOP 10 sayings about Post Production!
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  • Taking employment out of the country - now that's taking away jobs. These shows employ a lot of people: production, post-production, music supervisors, camera people. A hundred people or more.

    Country   Jobs   People  
    "Biography/ Personal Quotes". www.imdb.com.
  • Even when a pilot goes, you shoot it in March or April, and then you have to rush it through post-production by May. If they greenlight it, then you go and there's no time to think about it. And then, you've gotta start shooting in July, so you're off to the races.

    Thinking   Race   July  
    Source: collider.com
  • Suzanna Collins was very supportive, but we very much wanted her blessing on casting. In production, she visited us once, but she really was not involved in the production process. She's seen the Hunger Games movie twice, in the post-production process, once as an early cut and then once when it was finished.

    Source: collider.com
  • There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.

    Two   Phases   Firsts  
  • I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.

    Editing   People   Want  
    Biography/Personal Quotes, www.imdb.com.
  • My time on the set is the least of my involvement. Most of my time is in pre-production and post-production.

  • The timing for directing is usually because it takes that long to develop a piece and then do pre-production and then post-production. It takes at least a couple of years. I prefer directing to doing other things. Directing and writing seem to be infinitely more creative

    Couple   Writing   Years  
    "George Clooney, Bill Murray, Cate Blanchett, Matt Damon, Bob Balaban, John Goodman and Producer Grant Heslov Talk THE MONUMENTS MEN". Interview with Sheila Roberts, collider.com. February 3, 2014.
  • It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.

    Pirate   Tape   Digital  
    Source: collider.com
  • You sort of can't talk about the post production unless you talk about what comes first.

    "Director Paul Greengrass Interview GREEN ZONE". Interview with Steve 'Frosty' Weintraub, collider.com. March 11, 2010.
  • When I see a face, I see a face in general and I see you are curious, I see the curiosity but I don't not look after a dermatological report of your cheeks, and that's what you see when you're too high-resolution. And now desperately in post-production, in color grading, they are trying to wipe out the precision of the dermatological report.

    Source: collider.com
  • What happened with Final Destination was that the movie was in post-production for a long time and I think they changed a lot of the deaths, so a lot of those things were last-minute additions. Everything we shot is in the movie and it's all been designed. We didn't change anything. It's been a year of making those things happen, exactly as we had pictured them.

    Thinking   Years   Long  
    Source: collider.com
  • If you would ask me what my ideal process is, I would say, long pre-production, long production and long post-production.

    Long   Process   Ask Me  
    "Park Chan-wook Talks Differences Between Korean & American Films, How ‘Stoker’ Fits In With His Filmography & More". Interview with Drew Taylor, www.indiewire.com. March 19, 2013.
  • I would say that the evocative qualities of music are usually put there in post-production in the reverb. It's really not much about the musicians as the engineering. It's post-production that's being done by the musician at the time.

  • On the other track I got to talk with Jon Poll, my editor, and we go into more detail about the decisions we made in both the production and the post-production. So I hope the combination becomes something worth collecting.

    "Biography/ Personal Quotes". www.imdb.com.
  • The director makes the movie. The director has to have the story in their head, has to know the style of the piece, has to answer questions from actors, design, set, lighting, every department throughout the pre-production, production, and post-production, because they've got it in their mind. They've got to know exactly what they want and what the style and story of the movie is. It's them. They make it.

    Design   Style   Mind  
    Source: www.avclub.com
  • Digital also had this evolution that came out of post-production. And George Lucas did it because he wanted to make a big movie with special effects. Sort of the opposite of what you'd think is an indie film. So it's coming from both these angles.

    Source: blogs.indiewire.com
  • Editing and post-production is so important with comedy.

  • There are some directors who don't like the set much. They like post-production, where you have all the ingredients in the can - you've got all the footage, all the music, the various effects - and then you have to do the alchemy necessary to make it all good, a long and very key process of putting everything together and making it into the cogent thing that you want.

    Keys   Long   Together  
    "Fred Melamed on Casual, the Coens, and making Larry David laugh". Interview with Will Harris, www.avclub.com. January 15, 2016.
  • If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.

    Source: collider.com
  • One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.

    Source: www.moviesonline.ca
  • I spent a year and a half working for an art fair. I worked as a post-production assistant for a documentary film company for a while. Then I worked at the Apple store because I wanted a discount to be able to buy new gear to edit things while I was figuring out whether or not I wanted to go to film school. Those were the main things.

    Art   School   Years  
    "Meera Menon and the Women of Wall Street". Interview with Emma Brown, www.interviewmagazine.com. January 29, 2016.
  • In addition to that, we have a woman post-production supervisor, a woman colorist, a woman first AD, a woman production supervisor... I think it's really sad when I hear so many shows are content to stay in a mono-cultural realm, not realizing how they are subtracting from their own greatness by not inviting women and people of color into the space - that seasoning that makes the recipe even more great. It was absolutely imperative for me. It's how I run all my crews.

    Source: www.glamour.com
  • I definitely find the technical aspects of post-production generally quite overwhelming.

    Source: blogs.indiewire.com
  • Making movies has not only been an incredibly collaborative process but there's three big parts: pre-production, shooting itself and then post-production, which leads into marketing. And if you're passionate about the movie and you believe in it, and it would make sense that you are having done it, then you want to get out and promote it. It makes it a lot easier when the film is good and people are enjoying it.

    "Dwayne Johnson Talks Race to Witch Mountain". Interview with Brian Gallagher, movieweb.com. August 4, 2009.
  • Music is, for me, a great tool of a filmmaker, the same way cinematography, the acting, editing, post-production, the costumes are. You know, to help you tell a story.

    Editing   Acting   Way  
    "Interview: Investigating ‘Da Sweet Blood of Jesus’ w/ Spike Lee + Lead Actors Zaraah Abrahams and Stephen Tyrone Williams". Interview with Zeba Blay, www.indiewire.com. June 26, 2014.
  • There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.

    Reading   People   Agents  
    "Ang Lee Talks LIFE OF PI, the Difficulty of Getting the Project Off the Ground, 3D as a New Artistic Form, Deleted Scenes and More". Interview with Steve 'Frosty' Weintraub, collider.com. October 3, 2012.
  • I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.

    Movie   Thinking   People  
  • In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.

    Records   Labs   Able  
    Source: collider.com
  • Nowadays shots are created in post-production, on computers. It's not really photography.

    "Photographer Mary Ellen Mark's best shot". Interview with Andrew Pulver, www.theguardian.com. November 25, 2009.
  • Going from 'Shark Night' to 'Piranha,' a guy holding a fish on a stick in front of you that they're going to replace in post-production, it's a lot different than seeing this animatronic shark that, if you get caught up in the moment, looks, acts and you sometimes think could be real.

    Real   Night   Thinking  
    "Exclusive: Chris Zylka Talks SHARK NIGHT 3D and THE AMAZING SPIDER-MAN". Interview with Christina Radish, collider.com. August 31, 2011.
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